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1. STUDIO CULTURE THE SECRET LIFE OF A GRAPHIC DESIGN STUDIO HOW TO
2. STUDIO CULTURE THE SECRET LIFE OF A GRAPHIC DESIGN STUDIO MANUAL

New York: Princeton Architectural Press, 2002. Drawing for Graphic Design: Understanding Conceptual Principles and Practical Techniques to Create Unique, Effective Design Solutions. “Good Design is Goodwill.” AIGA Journal of Graphic Design 5, no. No More Rules: Graphic Design and Postmodernism. Niederteufen, Switzerland: Arthur Niggli, 1981.

STUDIO CULTURE THE SECRET LIFE OF A GRAPHIC DESIGN STUDIO MANUAL

“Grid and Design Philosophy.” In Grid Systems in Graphic Design: A Visual Communication Manual for Graphic Designers, Typographers, and Three-Dimensional Designers. The Graphic Designer and His Design Problems.

STUDIO CULTURE THE SECRET LIFE OF A GRAPHIC DESIGN STUDIO HOW TO

How to Think Like a Great Graphic Designer. Toronto: University of Toronto Press, 1966. The Gutenberg Galaxy: the Making of Typographic Man. One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society. Berkeley: University of California Press, 2001. Creating the Corporate Soul: The Rise of Public Relations and Corporate Imagery in American Big Business. Design Writing Research: Writing on Graphic Design. Swiss Graphic Design: The Origins and Growth of an International Style, 1920–1965. Hybrid Imagery: The Fusion of Technology of Graphic Design. Vector Basic Training: A Systematic Creative Process for Building Precision Vector Artwork. Ostfildern-Ruit, Germany: Hatje Cantz, 2001.

Review of 5 x 10 Years of Graphic Design etc. Elegantissima: The Design and Typography of Louise Fili. Durham: Duke University Press, 2004.įile, Louise. Utopia Limited: The Sixties and the Emergence of the Postmodern. New York: Watson-Guptill Publications, 2006. Designing with Type: The Essential Guide to Typography. London: Laurence King Publishing, 1995.Ĭraig, James, Irene Korol. “Con­versation.” In The End of Print: The Graphic Design of David Carson. New York: Harcourt Brace Jovanovich, 1978.īlackwell, Lewis and David Carson. Reflections: Essays, Apho­risms, Autobiographical Writings. Princeton Architectural Press Reprint edition. Interaction of Color: Revised and Expanded Edition. Logo Design Love: A Guide to Creating Iconic Brand Identities. “The Crystal Goblet, or Why Printing Should Be Invisible.” In The Crystal Goblet: Sixteen Essays on Typography. Point Roberts, WA: Hartley & Marks, 1991.ĭoesburg, Theo Van. The Form of the Book: Essays on the Morality of Good Design. Berkeley: University of California Press, 1998. “The Principles of the New Typography.” The New Typography: A Handbook for Modern Designers. “Who We Are: Mani­festo of the Constructivist Group.” Aleksandr Rodchenko: Experiments for the Future. “Typophoto.” In Painting Photography Film. New York: Farrar, Straus and Giroux, 2006, 11–17. “The Founding and Mani­festo of Futurism.” In Critical Writings: F. Chicago: University of Chicago Press, 1997. The Struggle for Utopia: Rodchenko, Lissitzky, Moholy- Nagy, 1917–1946. New York: Princeton Architectural Press, 2000. The ABC’s of Triangle, Square, Circle: The Bauhaus and Design Theory. “Our Book.” In El Lissitzky: Life, Letters, Texts. Translated by Helene Aldwinck­le and Mary Whittall. Merz to Émigré and Beyond: Avant-Garde Magazine Design of the Twentieth Century. A History of Lettering: Creative Experiment and Letter Identity. Chicago: University of Chicago Press, 1994. The Visible Word: Experi­mental Typography and Modern Art. New York: Rizzoli, 1990.ĭrucker, Johanna. Cambridge, MA: MIT Press, 1984.ĭachy, Marc. New York: Reinhold, 1967.Ĭohen, Arthur A. “On Typography.” In Herbert Bayer: painter designer architect. New York: Museum of Modern Art, 1938.īayer, Herbert. New Haven: Yale University Press, 2006.īayer, Herbert, Walter Gropius, and Ise Gropius. Futurist Typography and the Liberated Text. New York: Museum of Modern Art, 2002.īartram, Alan. Zurich: Eugen Rentsch, 1925.Īsh, Jared, et al.

CREATING THE FIELDĪrp, Hans, and El Lissitzky, eds. The following bibliography suggests useful texts, which begin to introduce concepts of both Graphic Design Theory and Practice.